Name: Rebecca Marie Howard | Department:Art and Design |
DEGREES | DISCIPLINE | INSTITUTION | YEAR |
---|---|---|---|
PhD | Art History, Early Modern | The Ohio State University | 2017 |
MA | Art History | The Ohio State University | 2011 |
BA | Art History (Minors: Business Administration, Studio Art) | Christopher Newport University | 2008 |
RANK/POSITION | DEPARTMENT/DIVISION | INSTITUTION/COMPANY/ORGANIZATION | PERIOD |
---|---|---|---|
Assistant Professor of Art History | Department of Art & Design | University of Memphis | 2022-present |
Visiting Assistant Professor of Art History | Department of Art & Design | University of Memphis | 2019-2022 |
Visiting Lecturer of Art History | School of Art | University of Tennessee, Knoxville | 2018-2019 |
Visiting Lecturer of Art History | Ernest G. Welch School of Art & Design | Georgia State University | 2017-2018 |
Graduate Teaching Assistant | Department of History of Art | The Ohio State University | 2011-2016 |
HONOR/AWARD | INSTITUTION/COMPANY/ORGANIZATION | YEAR |
---|---|---|
Distinguished Teaching Award Nomination & Finalist | University of Memphis | 2023 |
Faculty Seed Grant | College of Communication and Fine Arts, University of Memphis | 2023 |
Fine Arts, Humanities, & Social Sciences Support Grant | University of Memphis | 2023 |
Presidential Fellowship | The Ohio State University | 2016-2017 |
Career Development Grant | Council of Graduate Students, The Ohio State University | 2017 |
Graduate Associate Teaching Award Nomination | The Ohio State University | 2015 |
Alumni Grant for Graduate Research and Scholarship | The Ohio State University | 2015 |
Nicholas G. Howe Memorial Scholarship | Center for Medieval and Renaissance Studies, The Ohio State University | 2015 |
Cathleen M. Murnane Travel Scholarship Fund | Department of History of Art, The Ohio State University | 2015 & 2012 |
Arts & Humanities Graduate Research Travel | The Ohio State University | 2015, 2013, & 2012 |
Student Leadership Award for Student Organization Academic Achievement | The Ohio State University | 2014 |
Edward J. Ray Travel Award for Scholarship and Service | Council of Graduate Students, The Ohio State University | 2014 |
Sara Pyne & Aida Cannarsa Snow Memorial Fund in the Visual Arts | History of Art Department, The Ohio State University | 2016, 2013, 2012, & 2010 |
SUBJECT | INSTITUTION |
---|---|
Proseminar in Art History, Senior Seminar | University of Memphis |
World Art I, Art History | University of Memphis |
Art of Italy, 1250-1450, Art History | University of Memphis |
Art of Italy, 1450-1600, Art History | University of Memphis |
Art of Northern Europe, 1350-1600, Art History | University of Memphis |
European Art, 1600-1750, Art History | University of Memphis |
Arts of Global Exploration & Exchange, 1400-1700, Art History | University of Memphis |
Independent Study, Art of Italy, 1450-1600, Art History | University of Memphis |
World Art II, Art History | University of Memphis |
World Art II, Art History, UofM Global Online | University of Memphis |
Art of Italy, 1450-1575, Art History | University of Tennessee, Knoxville |
Art of Italy, 1250-1450, Art History | University of Tennessee, Knoxville |
Survey of Western Art II, Art History | University of Tennessee, Knoxville |
Survey of Western Art II, Art History | Georgia State University |
Italian Renaissance Art, Art History | Georgia State University |
Global Renaissance: The Age of Exploration, Art History | Georgia State University |
Portraiture and Identity in Renaissance Italy, Graduate Seminar, Art History | Georgia State University |
Northern Renaissance Art, Art History | Georgia State University |
Baroque Art, Art History | Georgia State University |
Survey of Western Art I, Art History | The Ohio State University |
Survey of World Art II, Art History | The Ohio State University |
CURRENT DEGREE | NAME | YEAR OF GRADUATION |
---|---|---|
MA Candidate Art History | Mary Anne McCraw | 2025 |
PhD Candidate Musicology | Brianna Allen | 2026 |
MA Candidate Art History | Kerista Fiske | 2024/2025 |
MA Art History | Francesca Manard | 2024 |
MA Art History | Heather Jeffery | 2021 |
MA Art History | Rachel Wilson | 2021 |
MA Art History | Victoria Chandler Tait | 2021 |
MA Art History | Adriana Dunn | 2020 |
MFA Painting | Zhixin Cathay Walker | 2020 |
Book manuscript revisions in progress, Portraiture and Mnemonics in Renaissance Italy: Commemoration through Body and Brain, under contract with Amsterdam University Press.
Howard, Rebecca M., Review of Pietro Bembo and the Intellectual Pleasures of a Renaissance Writer and Art Collector, by Susan Nalezyty, The Sixteenth Century Journal: The Journal of Early Modern Studies, Fall 2018, vol. xlix, no. 3, pp. 951-953.
Howard, Rebecca M., Review of Lomazzo’s Aesthetic Principles Reflected in the Art of his Time, ed. Lucia Tantardini and Rebecca Norris, The Sixteenth Century Journal: The Journal of Early Modern Studies, Spring 2022, vol. 53, no. 1, 228-230.
Howard, Rebecca M., Review of Michelangelo’s Inner Anatomies, by Christian Kleinbub, The Sixteenth Century Journal: The Journal of Early Modern Studies, Summer 2022, vol. 53, no. 2, 556-559.
Howard, Rebecca M., “Reviving Ancient Egypt in the Renaissance Hieroglyph: Humanist Aspirations to Immortality,” Arts, 2024, vol. 13, no. 116, Special Issue: “Ancient Egyptian Art Studies: Art in Motion, a Social Tool of Power and Resistance,” ed. Kathlyn Cooney and Alisée Devillers, 1-20 (open access, https://doi.org/10.3390/arts13040116).
Howard, Rebecca M., “St. Francis/San Francesco: White, Incorrupt, Divine,” in Early Modern Architecture and Whiteness: Power by Design, ed. Dijana Apostolski and Aaron White (Oxfordshire, UK: Routledge, Critical Junctures in Global Early Modernities series), under review, forthcoming 2024/2025.
Howard, Rebecca M., “Giovio's Impresa: Portrait of the Concetto,” Emblematica: Essays in Word & Image, Winter 2023, vol. 5, no. 1.
Howard, Rebecca M., “Whitewashing the Whitewashed Renaissance: Italian Renaissance Art through a Kapharian Lens,” in edited volume, Teaching Race in the European Renaissance: A Classroom Guide, ed. Anna Wainwright and Matthieu Chapman, Arizona Center of Medieval and Renaissance Studies, February 2023.
Howard, Rebecca M., “Interactive Commemoration in the Sacro Bosco,” Studies in the History of Gardens and Designed Landscapes, Winter 2020, vol. 40, no. 3-4, pp. 216-226.
Howard, Rebecca M., “The Sitter’s Impression: Memory and Early Modern Portrait Medallions,” Journal of Material Culture, 2019, vol. 24, no. 3, pp. 293-312.
Howard, Rebecca M., “A Mnemonic Reading of Botticelli’s Portrait of a Man with a Medal,” Source: Notes in the History of Art, Summer 2019, vol. 38, no. 4, pp. 196-205.
Howard, Rebecca M., “Lake Como to the Dialogo: Early Modern Accessibility and Paolo Giovio's Public Portrait Collections,” accepted for publication in Explorations in Renaissance Culture, pending revisions.
Howard, Rebecca M., “Benozzo Gozzoli, The Medici Palace Chapel Frescos,” essay for Smarthistory, April 2022, https://smarthistory.org/benozzo-gozzoli-magi-chapel-medici-palace-frescoes/.
Howard, Rebecca M., “Fra Filippo Lippi, Adoration in the Forest,” essay for Smarthistory, April 2022, https://smarthistory.org/fra-filippo-lippi-adoration/.
Howard, Rebecca M., “Hugo van der Goes, Portinari Altarpiece,” essay for Smarthistory, August 2020, https://smarthistory.org/van-der-goes-portinari/.
Howard, Rebecca M., “Botticelli, Portrait of a Man with a Medal of Cosimo il Vecchio de’ Medici,” essay for Smarthistory, June 2020, https://smarthistory.org/botticelli-portrait-man-with-medal/.
"Galatea's Mirror: Bodily Metamorphosis in Pontormo's Portrait of a Halberdier" Sixteenth Century Society Annual Conference, Toronto, Ontario (October 2024)
"The Ca d'Oro in Context: Gilded Reflections of Colonialism and Empire," Society of Architectural Historians, Virtual Conference (September 2024)
“Fragmented and Broken Bodies of Early Modern Italian Portraiture,” Sixteenth Century Society Annual Conference, Minneapolis, MN (October 2022)
“Impressed Memories: Death Masks in Renaissance Italy,” Sixteenth Century Society Annual Conference, San Diego, CA (October 2021)
“The Istoriated Portrait of Early Modern Italy: The Interlocutor Teaches Itself,” Renaissance Society of America Annual Conference, Virtual Meeting (April 2021)
“Lake Como to the Dialogo: Paolo Giovio’s Public Portrait Collections” SECAC Annual Conference (Virtual Meeting, Richmond, VA, October 2020)
“Sacro Bosco as Interactive Emblem” Sixteenth Century Society Annual Conference (St. Louis, MO, October 2019)
“The Impresa: Expanding the Early Modern Portrait” International Conference in Paragone Studies (Ann Arbor, MI, November 2018)
“A Mnemonic Reading of Botticelli’s Portrait of a Man with a Medal” South-Central Renaissance Conference (Atlanta, GA, April 2018)
“Portrait Body, Viewer’s Body: Anthropomorphizing the Covered Portrait” Sixteenth Century Society Annual Conference (Milwaukee, WI, October 2017)
“Early Modern Memory and the Role of the Portrait Medallion” Renaissance Society of America Annual Conference (Chicago, IL, April 2017)
“The Sitter’s Impression: Vision, Memory, and Early Modern Portrait Medallions” College Art Association Annual Conference (New York City, NY, February 2017)
“Traversing the Space of the Memory House: Commemoration Through Space in Early Modern Italian Portraits” Renaissance Society of America Annual Conference (Boston, MA, April 2016)
“Alberti’s Disembodied Eye: Embodying Memory and Vision Theory” Renaissance Society of America Annual Conference (New York City, NY, March 2014)
“The Italian Impresa: Symbol of a Global Europe” Sixteenth Century Society Annual Conference (San Juan, Puerto Rico, October 2013)
“Perpetual Fame: Secured with a Dolphin and an Anchor” Sixteenth Century Society Annual Conference (Cincinnati, OH, October 2012)
“Leonardo’s Rebus: Moving Beyond the Word-Image Paragone” Inaugural International Conference in Paragone Studies (Flint, MI, July 2012)
“The Renaissance Hieroglyph: Humanist Aspirations to Immortality” Renaissance Society of America Annual Conference (Washington, D.C., March 2012)
“Teaching Race in the Renaissance,” Guest Lecture, Council of Independent Colleges & Samuel H. Kress Foundation, seminar led by Dr. Victor Coonin, Power and Absence: Connecting Renaissance Art to Diverse Audiences, Dixon Gallery & Gardens, Memphis, TN (June 2023)
"Portrait Medallions, Death Masks, and Memory in Renaissance Italy,” Virtual Guest Lecture, “Art Talks” Series, University of Mississippi, University, MS (October 2023)
“Art and the Church in the Age of Reformation,” Guest Lecture, Gallery Talk, Louisa Arts Center, Louisa, VA (December 2022)
“Death Masks and Sense Impressions in Renaissance Italy,” NEDtalks, University of Memphis Faculty Research Forum, Memphis, TN (November 2022)
“Balthazar and Black Africans in Italian Renaissance Art,” Virtual Guest Lecture, Universidad Iberoamericana Ciudad de México, Mexico City, Mexico (September 2022)
"Women Artists Rocking the Art World of Early Modern Italy," Guest Lecture, Gallery Talk, Louisa Arts Center, Louisa, VA (June 2022)
“Renaissance Art in Florence,” Guest Lecture for Study Abroad Program, Dr. Kathy Tuberville’s class, Department of Management, University of Memphis (April 2022)
"Black Africans in Early Modern European Art," Virtual Guest Lecture, College of William and Mary, Williamsburg, VA (February 2022)
"Some Bad@ss Women Painters of Early Modern Italy," Virtual Guest Lecture, Guerrilla Girls Feminist Club, Monacan High School, Richmond, VA (November 2021)
“Talking to Your Professor about Problems,” Interview for “How to Deal” Podcast, hosted by Student Health and Counseling Services, University of Memphis, Memphis, TN (https://anchor.fm/the-university-of-memphis-shcs) (October 2021)
“Balthazar in Context: Black Africans in Early Modern Europe,” Café Conversation, Virtual Guest Lecture in Mini-Series, “Race, Art History, and the Museum,” Brooks Museum of Art, Memphis, TN (May 2021)
“Renaissance Portraiture,” Café Conversation, Virtual Guest Lecture, Brooks Museum of Art, Memphis, TN (January 2021)
“The Brain, the Memory, and Italian Renaissance Portrait Medallions,” Virtual Guest Lecture, Southern European Renaissance course, Southern Connecticut State University (January 2021)
“Botticelli’s Portrait of a Man with a Medal and Commemoration in Italian Renaissance Portraiture,” Virtual Guest Lecture, Renaissance Italy course, Ringling College of Art & Design (November 2020)
“Portrait Body, Viewer’s Mind: Dissection and Memory in the Covered Portraits of Renaissance Italy,” Virtual Guest Lecture, Southern Illinois University (March 2020)
“Navigating between the Undergraduate and Graduate Research Worlds” Keynote Address, Paideia Undergraduate and Graduate Annual Research Conference, Christopher Newport University (Newport News, VA, April 2016)
ACTIVITY | AGENCY/SOURCE | AMOUNT | PERIOD |
---|---|---|---|
Faculty Seed Grant | College of Communication and Fine Arts, University of Memphis | $4,000 | FY 2023-2024 |
Fine Arts, Humanities, & Social Sciences Support Grant | University of Memphis | $2,000 | FY 2023-2024 |
PROJECT | PARTICIPANTS | PERIOD | SPONSORSHIP |
---|---|---|---|
New Foundation for Art History (NFAH), Foundation Officer & Board Member | 14 board members | 2019-present | New Foundation for Art History |
Contemporary Arts Memphis (CAM), Art History Lecture | 8 high school students | November 2023 | CAM, $350 |
Memphis Brooks Museum of Art, Docent Training + Public Lectures | ~50 total attendees | 15 lectures, September-November 2023 | Memphis Brooks Museum of Art, $2775 |
"Transgressing the Socially Controlled Body of Early Modern Italy," 2 Conference Sessions Organized for Renaissance Society of America Conference, San Juan, 2023 | 8 speakers, 2 panel respondents | June 2022-April 2023 | Italian Art Society & Renaissance Society of America |
Crystal Bridges Museum, Art History Tigers Club Weekend Trip, Organizer | 14 students, 3 faculty | June-November 2022 | MomentUM Crowdfunding Program, $6000 raised, attendance completely covered for all students |
Emerging Scholars Committee, Italian Art Society, Chair & Member | 200+ members worldwide | Chair 2020-present, Committee Member 2017-2020 | Italian Art Society |
Organizer, Mentorship Program, Italian Art Society | 22 mentors and mentees paired | 2020-present | Emerging Scholars Committee, Italian Art Society |
Memphis Brooks Museum of Art, Docent Training + Public Lectures | 156 total attendees (~40 per each lecture) | 15 lectures, September-November 2022 | Memphis Brooks Museum of Art, $2625 |
“Italy, Art History, & Climate Change,” Co-Organizer, Virtual Discussion, Antiracism & Equity in Italian Art History series | 4 panelists, 34 attendees | June-December 2022 | Emerging Scholars Committee, Italian Art Society |
Women+’s Mentorship Network, Member and Departmental Liaison | university-wide membership, unknown number of members | 2021-present | University of Memphis |
Art History Tigers Club, Registered Student Organization, Faculty Advisor & Co-Founder | 64 members | 2020-present | University of Memphis |
Gallery After Hours Lectures, Louisa Arts Center (VA) | 12-20 attendees per lecture | July & December 2022 | Louisa Arts Center, $200 |
Invited Textbook Reviewer, Global Visions art history textbook | unknown number of reviewers | October 2022 | Pearson Education, $250 |
“Italian Portraiture: Works from the Uffizi Exhibited at the Minneapolis Institute of Art,” Panel Chair | 3 panelists, 25 attendees | October 2022 | Sixteenth Century Society |
“Accessible Art History: Digital Media, Social Media, & Free Media," Organizer, Virtual Discussion, Antiracism & Equity in Italian Art History series | 4 panelists, 27 attendees | November 2021-July 2022 | Emerging Scholars Committee, Italian Art Society |
"New Faculty: Connections," Group Exhibition | 8 participants (artists and educators) | November 2021 | Crosstown Arts, Memphis |
Online Writing Retreat Host, “I Should Be Thriving: Advancing Gender/Ethnic/Class Minorities in Academia,” Global Virtual Community | 2000+ members worldwide | 2020-present | Dr. Josephine Greenbrook, Mason Institute, Edinburgh, UK |
“Publishing Images: An Intro to Image Rights & Quality,” Organizer, Annual College Art Association Event for Emerging & Junior Scholars | 53 attendees | February 2021-February 2022 | Emerging Scholars Committee, Italian Art Society |
“Talking to Your Professor about Problems,” Interview for “How to Deal” Podcast | unknown number of listeners (public podcast) | October 2021 | Student Health and Counseling Services, University of Memphis (https://anchor.fm/the-university-of-memphis-shcs) |
Invited Guest Respondent & Juror, Art History Paper Presentations, Rhodes College | 14 students | November 2021 | Rhodes College, Department of Art & Art History, $150 |
TigerLIFE Museum Guide, Dixon Gallery & Gardens | 10 students | November 2021 | TigerLIFE, University of Memphis |
“Citing Truth to Power: Advancing Equity In and Through Academic Footnotes," Co-Organizer, Virtual Discussion, Antiracism & Equity in Italian Art History series | 4 panelists, 41 attendees | November 2020-June 2021 | Emerging Scholars Committee, Italian Art Society |
“Body, Brain, Heart: Memory in Early Modern European Art," Panel Organizer & Chair, Renaissance Society of America Conference, Virtual | 4 panelists, 29 attendees | November 2019-April 2021 (postponed due to Covid) | Renaissance Society of America |
"Art, Politics, and Social Justice in Times of Crisis," Conference Co-Organizer, Art History Virtual Graduate Student Conference | 22 speakers (including keynote, panelists, and roundtable participants), approximately 45 total attendees | August 2020-April 2021 | Department of Art, University of Memphis |
“Balthazar in Context: Black Africans in Early Modern Europe,” Café Conversation for mini-series, "Race, Art History, and the Museum" | 53 attendees | March 2021 | Memphis Brooks Museum of Art |
“Renaissance Portraiture,” Café Conversation | 45 attendees | January 2021 | Memphis Brooks Museum of Art |
Invited Juror, Art History Paper Competition, University of Tennessee, Knoxville | 30 students | April 2020 | University of Tennessee, School of Art, $150 |
AP Art History Exam Reader | approximately 150 exam readers total | 2019-2020 | The College Board, Educational Testing Services (ETS), $1600 |
UNIVERSITY | COMMITTEE/ACTIVITY | PERIOD |
---|---|---|
University of Memphis | Coordinator for Graduate Studies, Department of Art & Design | 2024-present |
University of Memphis | Chair, Graduate Committee, Department of Art & Design | 2024-present |
University of Memphis | Graduate Council, Member, College of Communication and Fine Arts | 2023-present |
University of Memphis | Strategic Planning Committee, College of Communication and Fine Arts | 2023-2024 |
University of Memphis | Research Council Representative, College of Communication and Fine Arts | 2022-present |
University of Memphis | Art History PhD Program Committee, Department of Art & Design | 2022-present |
University of Memphis | Scholarship and Honors Committee, Department of Art & Design | 2022-present |
University of Memphis | Faculty Senate Representative, University of Memphis, Department of Art & Design | 2021-2023 |
University of Memphis | Academic Policies Committee, University of Memphis | 2021-2023 |
University of Memphis | Faculty Advisor, Art History Tigers Club, Registered Student Organization | 2021-present |
University of Memphis | Organizer and Administrator, Art History Program Instagram Account, Department of Art & Design | 2020-present |
University of Memphis | Enrichment Committee / Visiting Scholars Committee, Department of Art & Design | 2020-present |
University of Memphis | Hiring Committee, Graphic Design, Digital Design, Department of Art & Design | 2021-2022 |
University of Memphis | Hiring Committee, Graphic Design, Motion Graphics, Department of Art & Design | 2021-2022 |
University of Memphis | Student Evaluation of Teaching Effectiveness (SETE) Overhaul Research Committee, University of Memphis | 2021-2023 |
University of Memphis | Alcohol and Drug College Campus Connect (ADCCC) Committee, Student Health and Counseling Center | 2021-2022 |
University of Memphis | Hiring Committee, Business Officer I, Department of Art & Design | 2021 |
University of Memphis | Eradicating Racism and Promoting Social Justice Initiative, Work Group: Fostering a Sense of Belonging and Support for All, University of Memphis | 2020-2021 |
Georgia State University | Studio Soirée, Committee Member, with Burnaway Magazine and Georgia State University | 2017 |
ORGANIZATION/COMPANY | PERIOD |
Memphis Brooks Museum of Art, School Tour Docent Training Lectures, Visual Analysis and Critical Looking | 2024 |
Memphis Brooks Museum of Art, Training Courses for New Docents, History of World Art Lectures | 2022-2023 |
Visions of the End (1000-1600), Marco Institute for Medieval and Renaissance Studies, Exhibition Consultant, McClung Museum of Natural History and Culture, University of Tennessee, Knoxville | 2018-2019 |
Academic Year (please indicate year) | Course # | Course Name | Credit Hours | Percent Taught | Enroll | Labratory Supervised(S)/Instructed(I) | New Preparation (Y) /(N) |
---|---|---|---|---|---|---|---|
2024 | ARTH 4195 | Proseminar in Art History | 3 | 100 | 9 |   | yes |
2024 | ARTH 7110 | Advanced Independent Research: Contemporary Korean Art | 3 | 100 | 1 |   | yes |
2024 | ARTH 4146/6146 | European Art, 1600-1750 | 3 | 100 | 37 |   |   |
2023 | ARTH 2010 | World Art I | 3 | 100 | 59 |   | yes |
2023 | ARTH 2010 | World Art I | 3 | 100 | 65 |   | yes |
2023 | ARTH 4143/6143 | Art of Italy, 1450-1600 | 3 | 100 | 29 |   |   |
2023 | ARTH 2020-M50 | World Art II, UofM Global | 3 | 100 | 27 |   |   |
2023 | ARTH 2020-M50 | World Art II, UofM Global | 3 | 100 | 28 |   |   |
2022 | ARTH 4141/6141 | Art of Italy, 1250-1450 | 3 | 100 | 29 |   |   |
2022 | ARTH 2020 | World Art II | 3 | 100 | 18 |   |   |
2022 | ARTH 2020-M50 | World Art II, UofM Global | 3 | 100 | 22 |   | yes |
2022 | ARTH 4142/6142 | Art of Northern Europe, 1350-1600 | 3 | 100 | 24 |   |   |
2022 | ARTH 2020 | World Art II | 3 | 100 | 28 |   |   |
2021 | ARTH 2020 | World Art II | 3 | 100 | 40 |   |   |
2021 | ARTH 2020 | World Art II | 3 | 100 | 35 |   |   |
2021 | ARTH 4030/6030 | Special Topics: Arts of Global Exploration & Exchange, 1400-1700 | 3 | 100 | 9 |   | yes |
2021 | ARTH 2020 | World Art II | 3 | 100 | 27 |   |   |
2021 | ARTH 4146/6146 | European Art, 1600-1750 | 3 | 100 | 28 |   | yes |
2020 | ARTH 4197 | Advanced Individual Research: Art of Italy, 1450-1600 | 3 | 100 | 2 |   | yes |
2020 | ARTH 2020 | World Art II | 3 | 100 | 29 |   |   |
2020 | ARTH 4143/6143 | Art of Italy, 1450-1600 | 3 | 100 | 24 |   | yes |
2020 | ARTH 4142/6142 | Art of Northern Europe, 1350-1600 | 3 | 100 | 18 |   | yes |
2020 | ARTH 2020 | World Art II | 3 | 100 | 37 |   |   |
2019 | ARTH 2020 | World Art II | 3 | 100 | 27 |   |   |
2019 | ARTH 4141/6141 | Art of Italy, 1250-1450 | 3 | 100 | 7 |   | yes |
2023-present, MA Thesis Director/Advisor, Modern and Contemporary Korean Art History, Mary Anne McCraw, thesis in progress. |
2023-present, PhD Committee Member and Art History Cognate Advisor, PhD Candidate, Early Modern Musicology, Brianna Allen, dissertation in progress. |
2024, MA Thesis Committee Member, Art History, Francesca Manard. |
2024, MA Thesis Committee Member, Art History, Kerista Fiske. |
2019-2021, MA Thesis Director/Advisor, Early Modern Art History, Victoria Chandler Tait -- Chandler is currently Registrar at the Huntsville Museum of Art. |
2020, MA Thesis Committee Member, Art History, Egyptology & Museum Studies, Adriana Dunn -- Adriana is currently Assistant Director at the Art Museum of the University of Memphis. |
2021, MA Thesis Committee Member, Art History, Egyptology & Museum Studies, Rachel Wilson -- Rachel is currently Education and Programming Coordinator at Ducks Unlimited Museum. |
2023, Advisor for Publication Process, Madison McMahon, for publication in undergraduate research journal QuaestiUM. Essay entitled, "Pietro Cavallini and Mosaics in Duecento Rome: Blending the Italo-Byzantine with the Classical." Essay received "Excellent Research Paper" award. |
Letter of Recommendation - Karla Olvera, Nursing program application, various institutions, 2024. Unknown status. |
Letter of Recommendation - Kerri Bland, Palazzi Study Abroad Program, 2024. |
Letter of Recommendation - Addison Morefield, Palazzi Study Abroad Program, 2023. Successful application. |
Letter of Recommendation - Lucien Pipkin, Photography in England Study Abroad Program, 2023. Successful application. |
Letter of Recommendation - Laura Talley, University of Alabama Library Sciences graduate program, 2023. Successful application. |
Letter of Recommendation - Francesca Manard, Admittance to Museum Studies Certificate Program, 2023. Successful application. |
Letter of Recommendation - Isabelle Todd, Medical School applications, various institutions, 2023. Unknown status. |
Letter of Recommendation - Olivia Gambrell, Internship, Memphis Museum of Science and History, 2023. Successful application. |
Letter of Recommendation - Olivia Gambrell, Development Internship, Dixon Gallery & Gardens, 2022. Successful application. |
Letter of Recommendation - Emily Harris, Palazzi Study Abroad Program, 2022. Successful application. |
Letter of Recommendation - Grace Isabelle Todd, Medical School Programs, 2022. Successful applications. |
Letter of Recommendation - Joiya Ware, Thoroughbred Scholars Program, 2022. Successful application. |
Letter of Recommendation - Laura Talley, Graduate Program in Art History, University of Memphis, 2021. Successful application. |
Letter of Recommendation - Lucien Williams, Graduate Program in Art History, University of Memphis, 2022. Incomplete application. Unknown status. |
Letter of Recommendation - Meredith Wanderman, Various Graduate Programs in Art History, 2021. Unknown status. |
Letter of Recommendation - Nikki Aryan, Photography in England Study Abroad Program, 2021. Successful application. |
Letter of Recommendation - Caleb Stokes, Education Internship, Dixon Gallery & Gardens, 2020. Successful application. |
Letter of Recommendation - Victoria (Alex) Morvan, Photography in England Study Abroad Program, University of Memphis, 2020. |
Letter of Recommendation - Nick LaCerva (former student from University of Tennessee, Knoxville), Various English Graduate Programs, 2020. Successful applications. |
Letter of Recommendation - Melissa Connelly (former student from Georgia State University), Various Creative Writing Graduate Programs, 2020. Successful applications. |
Book manuscript revisions in progress, Portraiture and Mnemonics in Renaissance Italy: Commemoration through Body and Brain, under contract with Amsterdam University Press. |
Article in progress, "Galatea's Mirror: Bodily Metamorphosis in Pontormo's 'Portrait of a Halberdier'." |
Article in progress, "The Ca d’Oro in Context: Gilded Reflections of Colonialism and Empire." |
2024 - Application submitted for Italian Art Society (IAS) Publication Subvention Grant, not funded |
2023 - Application submitted for Italian Art Society (IAS) Publication Subvention Grant, disqualified due to serving as a committee chair within the IAS at the time, not funded |
2019 - Application submitted for the Franklin Research Grant through the American Philosophical Society. This grant would have assisted in travel to Italy to conduct on-site research at the Sacro Bosco, as well as additional research for book manuscript revisions. Grant was not funded, but I was still able to complete and publish an article on the Sacro Bosco in 2020. |