Name: WILLIAM C MCKEOWN | Department:Art and Design |
DEGREES | DISCIPLINE | INSTITUTION | YEAR |
---|---|---|---|
BA | Art History | University of West Florida | 1994 |
MA | Art History and Criticism | Stony Brook University | 1996 |
PhD | Art History | Florida State University | 2005 |
RANK/POSITION | DEPARTMENT/DIVISION | INSTITUTION/COMPANY/ORGANIZATION | PERIOD |
---|---|---|---|
Teaching Assistant | Art Department | Stony Brook University | 1995-1996 |
Teaching Assistant (Instructor of Record) | Department of Art History | Florida State University | 1996-1999 |
Visiting Scholar | Art Department | University of West Florida | 2000 |
Teaching Assistant (Instructor of Record) | Department of Art History | Florida State University | 2001-2004 |
Adjunct Professor | Art Department | Converse College | 2005 |
Assistant Professor | Department of Art | University of Memphis | 2005-present |
HONOR/AWARD | INSTITUTION/COMPANY/ORGANIZATION | YEAR |
---|---|---|
Undergraduate student of the year in Art History | University of West Florida | 1994-95 |
Appleton Teaching Fellow | Florida State University | 1996-1999 |
Leffert L. Mabies Jr. Visiting Scholar | University of West Florida | 2000 |
Appleton Curatorial Fellow | Florida State University | 2000 |
Penelope Mason Fellow | Florida State University | 2002-2003 |
Faculty Research Grant | University of Memphis | 2006 |
Course Redesign Fellowship | University of Memphis | 2009 |
Professional Development Assignment | University of Memphis | 2010 |
SUBJECT | INSTITUTION |
---|---|
Art History | Stony Brook University |
Art History | Florida State University |
Art History | University of West Florida |
Art History | Converse College |
Art History | University of Memphis |
CURRENT DEGREE | NAME | YEAR OF GRADUATION |
---|---|---|
MA | Caroline Woodell | 2006 |
MA | Nicole Garvin | 2008 |
MA | Pamela Nicole Montesi | 2008 |
MA | Elaine Slayton | 2010 |
2011 The Role of Venetian Renaissance Painting in the Political Theories of John Ruskin [working title]. Lewiston, NY: the Edwin Mellen Press, forthcoming.
2009 “A Portrait of the Critic as a Young Girl: James Northcote’s 1822 Portrait of John Ruskin.” Ruskin Review and Bulletin. Autumn, 2009: Vol. 5, No. 2
2010 “Charles Shannon in the House of Delia: a Theme from Tibullus.” The Burlington Magazine. Vol. CLII, no. 1286: May 2010
2010 “The Presentation of the Virgin: Ruskin and Images of Girlhood in Venetian Renaissance Painting.” in The Venetian Collection: papers from the conference "Ruskin, Venice, and 19th Century Cultural Travel." Venice: Universita' Ca' Foscari Bricole Press, forthcoming.
2003 “Introduction.” For exhibition “Something Old, Something New: New Paintings by Elizabeth Alley.” Christian Brothers University, Memphis, TN
2000 Lecture at the Appleton Museum of Art, Ocala, FL. “Academia, Arcadia, and Arabia: Nineteenth-century European Painting at the Appleton.”
2008-09 Lecture for seminar, “Art and Science,” the University of Memphis. Title of talk: “Leonardo’s Legacy.”
2009 Lecture for class, “The Two Faces of Modernity,” the University of Memphis. Title of talk: “Neoclassicism and Romanticism.”
2009 "The Pre-Raphaelite Brotherhood." Talk and gallery tour at the Memphis Brooks Museum of Art, for the exhibition "Masterpieces of European Painting from the Museo de Arte de Ponce."
2010 " 'My Notion of Titian's Work': Ruskin's Conceptions of Kingship and Venetian Depictions of Doges." Ruskin Seminar, Lent Term 2010. Ruskin Library and Research Centre, Lancaster University.
2010 "Turner versus Canaletto: Venetian Landscapes and the art criticism of John Ruskin." Talk at the Memphis Brooks Museum of Art, for the exhibition "Venice in the Age of Canaletto."
1998 “Charles R. Leslie’s The Young Scot and the Highlander as Myth in Early Nineteenth-Century British Art and Culture.” Association of Art Historians. April, 1998: Exeter, UK.
2004 “The Hypnerotomachia Poliphili as a Source for Ricketts and Shannon’s Daphnis and Chloe illustrations.” Southeastern College Art Conference. October, 2004: Jacksonville, Florida.
2005 “The Pastoral as Politics in Late Victorian Painting and Prints.” Southeastern College Art Conference. October, 2005: Little Rock, Arkansas.
2007 “Portrait of the Critic as a Young Man: John Ruskin’s Childhood as Represented in James Northcote’s 1822 Portrait.” Association of Art Historians. April, 2007: Belfast, Northern Ireland.
2007 “St. George, St. Ursula, and St. Crumpet: Carpaccio’s Venice as a Model for Ruskin’s Utopian Communities.” Southeastern College Art Conference. October, 2007: Charleston, West Virginia.
2008 "The Presentation of the Virgin: Ruskin and Images of Girlhood in Venetian Renaissance Painting." For the conference "Ruskin, Venice, and 19th Century Cultural Travel," sponsored jointly by The Ruskin Centre at Lancaster University, Interdisciplinary Nineteenth Century Studies (INCS), and The Department of European and Postcolonial Studies of University of Ca' Foscari. September, 2008: Venice, Italy.
2010 " “Charles H. Shannon and his Patrons in the Late Victorian and Edwardian Art World.” Southeastern College Art Conference. October, 2010: Richmond, Virginia.
ACTIVITY | AGENCY/SOURCE | AMOUNT | PERIOD |
---|---|---|---|
“John Ruskin and Venetian Painting.” | Faculty Research Grant | $4000 | 2006 |
UNIVERSITY | COMMITTEE/ACTIVITY | PERIOD |
---|---|---|
University of Memphis | Art History program/Graduate Advisor | 2005-2008; 2010-present |
University of Memphis | Scholarship Committee/Art Department | 2005-2006 |
University of Memphis | Search Committee/COE | 2005-present |
University of Memphis | MFA periodic evaluations | 2006-2008 |
University of Memphis | Foundations Committee/Art Department | 2006-present |
University of Memphis | Faculty Senate/Art Department Representative | 2007-2009 |
University of Memphis | Faculty Senate Committee: Administrative Policies | 2007-2009 |
University of Memphis | Search Committee/Contemporary Art History | 2008 |
University of Memphis | Search Committee/Renaissance Art History | 2008 |
University of Memphis | Faculty Research Grants Review Committee (Arts and Humanities) | 2008-2009 |
Academic Year (please indicate year) | Course # | Course Name | Credit Hours | Percent Taught | Enroll | Labratory Supervised(S)/Instructed(I) | New Preparation (Y) /(N) |
---|---|---|---|---|---|---|---|
2006-2007 | ARTH 7110 | Independent Study in Art History | 3 | 100 | 2 |   | Y |
2006-2007 | ARTH 4152 | Early Modern Art | 3 | 100 | 29 |   | Y |
2006-2007 | ARTH 6152 | Early Modern Art (graduate section) | 3 | 100 | 8 |   | Y |
2006-2007 | ARTH 2102 | World Art II | 9 | 100 | 66 |   | N |
2006-2007 | ARTH 4195 | Proseminar | 3 | 100 | 8 |   | Y |
2006-2007 | ARTH 4721 | History of Photography I | 3 | 100 | 36 |   | Y |
2006-2007 | ARTH 6721 | History of Photography I (graduate section) | 3 | 100 | 3 |   | Y |
2007-2008 | ARTH 4148 | Neoclassicism and Romanticism | 3 | 100 | 33 |   | N |
2007-2008 | ARTH 6149 | Neoclassicism and Romanticism (graduate section) | 3 | 100 | 1 |   | N |
2007-2008 | ARTH 7150 | Nineteenth-Century Art | 3 | 100 | 4 |   | Y |
2007-2008 | ARTH 4149 | Realism and Impressionism | 3 | 100 | 29 |   | N |
2007-2008 | ARTH 6149 | Realism and Impressionism (graduate section) | 3 | 100 | 3 |   | N |
2007-2008 | ARTH 2102 | World Art II | 9 | 100 | 70 |   | N |
2007-2008 | ARTH 7110 | Independent Study in Art History | 3 | 100 | 3 |   | N |
2007-2008 | ARTH 7996 | Thesis | 3 | 100 | 2 |   | Y |
2008-2009 | ARTH 4148 | Neoclassicism and Romanticism | 3 | 100 | 21 |   | N |
2008-2009 | ARTH 4152 | Early Modern Art | 3 | 100 | 32 |   | N |
2008-2009 | ARTH 4155 | High Modern Art | 3 | 100 | 26 |   | Y |
2008-2009 | ARTH 6148 | Neoclassicism and Romanticism (graduate section) | 3 | 100 | 2 |   | N |
2008-2009 | ARTH 6152 | Early Modern Art (graduate section) | 3 | 100 | 5 |   | N |
2008-2009 | ARTH 6155 | High Modern Art (graduate section) | 3 | 100 | 4 |   | Y |
2008-2009 | ARTH 7110 | Independent Study | 3 | 100 | 1 |   | N |
2008-2009 | ARTH 2102 | World Art II | 3 | 100 | 41 |   | N |
2009-2010 | ARTH 2102 | World Art II | 6 | 100 | 69 |   | N |
2009-2010 | ARTH 4149 | Realism and Impressionism | 3 | 100 | 24 |   | N |
2009-2010 | ARTH 6149 | Neoclassicism and Romanticism (graduate section) | 3 | 100 | 4 |   | N |
2009-2010 | ARTH 7996 | Thesis | 3 | 100 | 1 |   | Y |
2006 Caroline Woodell, “Self-Taught Woodcarvers from the Arkansas Ozarks and the Influence of Tourism.” MA Thesis |
2008 Nicole Garvin, "Beyond Fashion: Louise Dahl-Wolfe and her Tennessee Photographs." MA Thesis |
2008 Pamela Nicole Montesi, “John Singer Sargent and Impressionism.” MA Thesis |
2010 Elaine Slayton, “Devotion to God and State: The Education of the Virgin and Vigée-Lebrun’s Marie-Antoinette en Robe de Velours Bleu.” MA thesis. |