Name: EARNESTINE LOVELLE JENKINS | Department:Art and Design |
DEGREES | DISCIPLINE | INSTITUTION | YEAR |
---|---|---|---|
Ph.D | History | Michigan State University | 1997 |
M.A. | Art History | University of Memphis | 1986 |
B.F.A. | Fine Arts | Spelman College | 1979 |
RANK/POSITION | DEPARTMENT/DIVISION | INSTITUTION/COMPANY/ORGANIZATION | PERIOD |
---|---|---|---|
Full Professor of Art History | Department of Art | University of Memphis |   |
Associate Professor | Department of Art | University of Memphis | 2007 |
Assistant Professor | Department of Art | University of Memphis | 1999-2006 |
Curator of Education | Institute of Egyptian Art & Archaeology | University of Memphis | 1998-1999 |
Post Doctoral Fellowship in Comparative Black History | Department of History | Michigan State University | 1997-1998 |
HONOR/AWARD | INSTITUTION/COMPANY/ORGANIZATION | YEAR |
---|---|---|
Proclamation from Marvin Sikes, Mayor of Humbolt, Tennessee | Stigall Museum, Humbolt, Tennessee | January 9, 2020 |
Benjamin W. Rawlins Jr. Meritorious Professorship Award | University of Memphis | 2018-19-2019-20 |
Alumni Association Engaged Scholarship Award in the Creative Arts | University of Memphis | 2018 |
Dean's Award for Outstanding Research | University of Memphis | 2017 |
Honorary Committee | Association for the Study of African American Life and History 99th Annual Convention Memphis,TN. | 2014 |
Professional Development Assignment | University of Memphis | 2013-2014 |
Benjamin Hooks Fellow | Benjamin Hooks Institute for Social Change, University of Memphis | 2004 |
New Faculty Research Grant | University of Memphis | 2002-2003 |
Post Doctoral Fellow | Michigan State University | 1997-1998 |
King-Chavez -Parks Fellowship Award | Michigan State University | 1994-1995, 1993-1994 |
College Fellowship Competition | Michigan State University | 1992-1993 |
CIC International Studies Fellow Program Language Grant | Institute of Ethiopian Studies, Addis Ababa, Ethiopia | 19910-1991 |
Title IV Foreigh Language Area Studies Fellowship | Michigan State University | 1989-1990, 1988-1989 |
Archaeological Excavation, Memphis, Egypt | British Egypt Exploration Society | 1995 |
SUBJECT | INSTITUTION |
---|---|
Black Britain:African Diaspora in the Uk | University of Memphis Travel Abroad-July7-July 19, 2016 |
Art History Methods Seminar | University of Memphis |
Indigenous Arts | University of Memphis |
The Black Female Subject in Western Art & Popular Culture | University of Memphis |
Seminar: African Disapora Cinema | University of Memphis |
Seminar: African Art History & Visual Culture: Display and Discipline | University of Memphis |
Seminar: Readings in Modern and Contemporary African American Art | University of Memphis |
Visual Arts of Africa | University of Memphis |
African American Art | University of Memphis |
Social History of American Art | University of Memphis |
Traditional Arts of Africa, Oceania, and Native North America | Univeraity of Memphis |
Seminar:Black Men in United States History and American Culture | University of Memphis |
Semianr: Race & Gender in American Visual Culture | University of Memphis |
Semiar: Black Memphis Heritage: Archives, Collections, and Material Culture |   |
World Art 2101 | University of Memphis |
World Art 2102 | University of Memphis |
African American Cultural History | Michigan State University |
Seminar: African American Film | Michigan State University |
CURRENT DEGREE | NAME | YEAR OF GRADUATION |
---|---|---|
Ph.D candidate-Department of English | Ashley Goulder | 2019 |
Ph.D in History | Le'Trise Donaldson | 2015 |
MA.Art History/American-contemporary-museums-art education/thesis committee | Jody Stokes-Casey | 2014 |
M.A. /Phtography/thesis committee | Kathy Barnes | 2014 |
MA Art History/American-Latin American/Thesis Advisor | Lacie Glover | 2013 |
MA Art History/African-Contemporary/Thesis Advisor | Nancy Cook | 2011 |
MA./Studio/thesis committee | Claudia Santillan | 2014 |
B.F.A./Studio/committee member | Marlon Turner | 2014 |
M.A. ARTH/thesis committee/Egyptian | Lafayette Gaston | 2009 |
Ph.D. Historydoctoral/ thesis committee | Dianne Reeves | 2007 |
M.A. ARTH/ thesis committee/American art | Katherine Lobianco | 2005 |
M.A.ARTH / American/thesis committee | Diane Jalfon | 2004 |
M.A. ARTH/Egyptian/thesis committee | Eric McMann | 2003 |
M.A. ARTH/thesis committee | Debra Cox | 2002 |
MA Art History American-African American/Thesis Advisor | Jennifer Hornsby | 2010 |
MA Art History American-African American/Thesis Advisor | Michelle Williams | 2011 |
MA Art History/African American-African Diaspora/Thesis Advisor | Leila Hamdan | 2014 |
MA Art History/American-African American/Thesis Advisor | Chantal Drake | 2010 |
ACTIVITY | DATES | LOCATION | SPONSORSHIP |
---|---|---|---|
ArtSpace Initiative | 2019-2020 |   | Kresge Foundation |
Black Suffragists Who Fought for the 19th Amendment | AUG 4, 2020 |   | History Channel |
Research for 3 exhibits on African American Artists | 2019-2025 | Memphis, Tennessee | Dixon Galleries and Gardens |
Curator Art and Leadership in Central Africa | 2015 | Art Museum University of Memphis |   |
Curator of Visual Arts of Africa: Art in the Land of Sundiata UofM Art Museum | April 2010 | Communication anf Fine Arts Building | Museum Program, University of Memphis |
Curator: Early African American Photographers in Memphis | October-November, 2009 | Jones Hall Art Gallery | Department of Art, University of Memphis |
Guest editor. NO. Magazine, (local arts magazine) | 2009 | Memphis | museum grant. Leslie Luebbers (editor and Director, University of Memphis Art -museum |
Race, Representation and Photography in 19th Century Memphis: from Slavery to Jim Crow. London: Ashgate, 2016.
African Americans in Memphis. Charelston, SC: Arcadia Publishing, 2009.
A Kingly Craft: Art and Leadership in Ethiopia. A Social History of Art and Visual Culture in Pre-modern Africa. Lanham: University Press of America, 2008.
Jenkins, Earnestine and Darlene Clark Hine, eds. A Question of Manhood: A Reader in U.S. Black Men' s History and Masculinity. Vol. 2. Bloomington; Indiana University Press, May 2001.
Hine, Darlene Clark and Earnestine Jenkins, eds. A Question of Manhood: A Reader in U.S. Black Men's History and Masculinity. Vol. 1. Bloomington: Indiana University Press, 1999.
A Glorious Past: Ancient Egypt, Ethiopia, and Nubia. Milestones in Black American History Series. New York: Chelsea House Publishers, 1994.
Matthew Fox-Amato, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America, Oxford University Press, 2019, for the electronic journal, History Reviews, London, UK, 2020.
Mary Schmidt Campbell, An American Odyssey: The Life and Work of Romare Bearden, Oxford University Press, 2018, for Studies in American Culture, (October 2019).
New Orleans:in association with Ogden Museum of Southern Art and University of New Orleans Center for the Book, Clementine Hunter: A Sketchbook, 2014, College Art Association Reviews, February 2018.
Esther Lezra. The Colonial Art of Demonizing Others: A Global Perspective, Routledge, 2014. Review for Journal of American Studies, Fall 2015.
Bernier, Celeste. Characters of Blood: Black Heroism in the Transatlantic Imagination. Charlottesville and London: University of Virginia Press, 2012. reviewed for Slavery & Abolition, 2014
Samuel W. Black and Reginnia N. Williams, Through the Lens of Allen E. Cole: a Photographic History of African Americans in Cleveland, The Kent state University Press, for Journal of American Studies, 2013
The Life ,Art, and Times of Joseph Delaney by Frederick Moffett. University of Tennessee Press, 2010, in Journal of East Tennessee History, Spring 2011
Nancy Goldstein. Jackie Ormes: the Frst African American Woman Cartoonist. Ann Arbor: the University of Michigan Press, 2008. Reviewed for American Studies Journal, Spring Issue, vol. 50:1, 2010
Manuscript Evaluation: Jo-Ann Morgan. Uncle Tom's Cabin as Visual Culture. Columbia: University of Missouri Press, 2007.
Egypt in Africa, Theodore Celenko, Editor, in African Arts. (Summer 1998).
Transatlantic Slavery: Against Human Dignity, Anthony Tibbles, Editor, in African Arts. Vol. XXIX. No. 1 (Winter 1996).
"Elite Colored Women, the Material Culture of Photography, & Victorian Era Womanhood in Reconstruction Era Memphis," in Strike for Freedom: Acts and Arts of Liberation in the African Atlantic Imaginary (1818-2018), a special issue of the Journal of Slavery & Abolition, Spring, 2020.
I866: Imaging Freed People in Memphis Tennessee-The Reconstruction Era Illustrations of Civil War Artist, Alfred Waud. Tennessee Historical Quarterly, 2019.
“Emperor Menilek II and the Art of Manuscript Illumination: The Politics of Representation in 19th Century Ethiopia,” Northeast African Studies, Winter 2019.
The Hooks Brothers of Memphis: Artist Photographers of the New Negro Movement in the Urban South, in Memphis: 200 Years Together, Karen B. Golightly and Jonathan Judaken, editors. Susan Shadt Press: Memphis-New Orleans, 2019.
“Missionary Photography: The Liberian Archive of Doctor Georgia Patton,” Visual Resources: International Journal on Images and their Uses, Winter 2018
“Anna Murray Douglass -‘The Mother of Cedar Hill’: Photography and the Representation of 19th Century Black Women’s Activism,” in Imaging Frederick Douglas, Liverpool University Press, eds. Celeste Bernier and Bill Lawson, 2016
"Painting Ira Aldridge as Othello in James Northcote's 1827 Manchester Portrait," chapter in Spectacles of Blackness: Representing Blacks in European Art of the Long Nineteenth Century. London: Ashgate, 2014.
"Muralist Vertis Hayes & the LeMoyne Federal Art Center: African American Fine Arts in Memphis, Tennessee, 1930s-1940s," Tennessee Historical Quarterly, Summer 2014
"Music and Community: WDIA and Black Radio Culture in Civil Rights Era memphis. Tennessee Historical Quarterly. (Fall 2006).
"African American Boyhood," in Boyhood in America: An Encyclopedia. Priscilla Ferguson Clement and Jaqueline Reinier, eds. Denver: ABC-CLIO, November 2001.
Contributor, The African American Odyssey, eds., Darlene Clark Hine, William C. Hine, Stanley Harrold. Prentice Hall, 2002.
"Four miniatures from 18th-19th Century Sawa: An African Perspective," in Aspects of Ethiopian Art. Paul Henze, ed. London: The Jed Press, 1993.
Digital Project/ University of Memphis,National African American Photographic Project. Memphis: University Libraries, 2012.
'Early African American Photography in Memphis', Number Magazine, Memphis, Tennessee, 2009.
Guest Editor, Number Magazine: special issue, African American Art in Memphis, Memphis, Tennessee, 2009
"Nubia" in Encyclopedia of the African Diaspora: Origins, Experience, Culture. Carole Boyce Davies, editor. Denver: ABC-CLIO, 2008
"Songhay" in Encyclopedia of Africa and the Americas. Richard M. Juang and Noelle Morrisette, eds. Denver: ABC-CLIO, 2008
"Artist, Alison Saar," in Black Women in America: An Historical Encyclopedia. 2nd edition. Darlene Clark Hine, ed. Oxford University Press, May 2005.
"Artist, Bettye Saar," in Black Women in America: An Historical Encyclopedia. 2nd edition. Darlene Clark Hine, ed. Oxford University Press, may 2005.
"Francis Kneeland." Reprint in Facts on File Encyclopedia of Black Women in America: Science, Health and Medecine. Vol. 6. Darlene Clark Hine and Kathleen Thompson, eds. Facts on File Inc., 1997.
"Julia Hooks." Reprint in Facts on File Encyclopedia of Black Women in America: The Early Years, 1619-1899. Vol. 1. Facts on File Inc., 1997.
"Francis Kneeland," in Black Women in America: An Historical Encyclopedia. Darlene Clark Hine, ed. Brooklyn, New York: Carlson Publishing, 1993.
"Julia Hooks," in Black Women in America: An Historical Encyclopedia. Darlene Clark Hine, ed. Brooklyn, New York: Carlson Publishing, Inc., 1993.
Invited Curatorial-Scholar-with the Dixon Gallery and Gardens I undertake research and curatorial duties on twentieth century African American art in relation to an exhibition to be held at the Dixon Gallery and Gardens from October 17, 2021, through January 2, 2022 (working dates) and other venues. The title of the first exhibition, (there will be 3 exhibitions ranging from the 1930s-1970s) is Black Artists in America: 1930-1954.
The Arts of Race & Violence Project: 2016-2017 A multidisciplinary project organized with colleague, artist Richard Lou, in collaboration with Crosstown Arts. The project was inspired by events in the broader Memphis community to understand racial oppression and violence in the South by memorializing lynching sites. The city of Memphis is an extremely important site in this history due to the murder of three young African American businessmen in 1892, and the lynching of Ell Persons in 1917.
'African Art & Spirituality:Martha & Robert Fogelman Collection of African Art,' University of Memphis Art Museum, 2013.
'The Memphis World of Ida B. Wells' for Ida B.Wells:Legacies for Civic Action and Leadership from a Truth-Telling Woman, 13th Annual Biennial Public Address Conference, Department of Communications, University of Memphis, Sept 27-29, 2012.
Digital Collection. Historical African American African Diaspora Photographs, at National African American Photographic Project, University of Memphis Libraries/Digital Repository, 2012
Art in the Land of Sundiata/Margaret & Robert Fogelman Collection of African Art, University of Memphis Art Museum, 2010.
'Early African American Photographers in Memphis,'Jones hall Art Gallery, Department of Art, University of Memphis, 2008
'The Visual Arts of Africa,' Memphis Brooks Museum of Art, 2004
Opening Lecture for the exhibit, Augusta Savage: Renaissance Woman, “Augusta Savage: Black Women Artists and Institution Building During the New Negro Movement,” Dixon Galleries and Gardens, January 26, 2020. January 19, 2020-March 22, 2020, (organized by the Cummer Museum of Art and Gardens).
Invited Lecture, “Mammies and Maids in Early Hollywood Cinema,” at the Tom & O.E. Stigall Ethnic Library & History Museum, Humbolt,Tennessee, January 9, 2020. Lecture related to traveling exhibit on the representation of Black women as domestics in American film, (November 18, 2019-January 18, 2020). Lecture requested by Humanities Tennessee for their Traveling Exhibit Program.
Invited Paper, “Anna Murray Douglass Black Women and the Commemoration of the ‘Mother of Cedar Hill,” Black Atlantic Authorship and Art (1818-2018) International Symposium, 16-17 November 2018, National Library of Scotland and the University of Edinburgh, Scotland.
Invited Paper-Panelist: “The Visual Culture of Slavery and its Aftermath in ‘Mulatto’ Women’s Lives: Memphis”, Visual Culture of Slavery Panel, Southern Historical Association, November 8-11, Birmingham, Alabama, 2018.
Invited Panelist: Black History Month Symposium, Sacred Ground: Excavating Sites of Black Memory, Tuskegee University, February 9-10, 2017, Tuskegee, Alabama.
“The Great Migration and Urban Blues,” 2015 Association of African American Museums Annual Conference -Milestones in History – African American Museums and the Story of African American Progress, Memphis, TN., August 4-7, 2015.
“From Liberia to Memphis: the Photographic Archive of Dr. Georgia Patton Washington,” James A. Porter Colloquium, Sheroes and Womanists: An Examination of Feminist Subjectivity in Modern and Contemporary African American Art, April 10-11, 2015, Howard University, Washington, D.C.
“Muralist Vertis Hayes,” 34th Annual Bryllion and Mary Fagin Lecture Series, LeMoyne Owen College, November 2014, Memphis, TN.,
“The Depiction of Slavery & American Print Culture in Antebellum Memphis,” Conference: African American Expression in Print Culture, Center for the History of Print and Digital Culture, Madison Wisconsin, September 19-21, 2014.
Panel Coordinator, "Photography & Public Memory: Ida B.Wells and the 1892 Lynching in the Curve, panel session Radical Arts & the Politics of Race and Public Memory: Denial & Hidden Histories, Association for the Study of African American Life & History, Memphis, TN., September 24-28, 2014
Panel Coordinator, "Anna Murray & the Familial Frederick Douglass: Hidden Narratives in the Photographs of a Nineteenth Century Black Family," panel session Imaging Frederick Douglass: Aesthetics & Black Agency in Diaspora Visual Culture, Association for the Study of African American Life & History, Memphis, TN. 2014
Conference:The Visual Culture of Emancipation: Fort Pickering, Black Soldiers, and Freed Women in Civil War Era Memphis, Midwest Art History Society Conference, Ohio State University, Columbus, Ohio, March 21-23, 2013
A Fresh Look at African Art. Panel. Art Museum, University of Memphis, April 24, 2010
Invited Commentator. Black Masculinity: Post-Reconstruction. Association for the Study of African American Life and History. Cincinnati, Ohio, September 31-October 4, 2009
Invited Panelist, Menelik II: Imaging an African Leader in the Era of Colonization, Visionary Leadership: Kings, Art and the Colonial Moment. African Studies Association, Chicago, Illinois (Nov. 13-18, 2008).
Invited Panelist, Race and Masculinity in 19th Century European Art, Race and Masculinity. Organization of American Historians, Washington, D.C. (April 2003).
Workshop, Christian Art in Nubia,: Art History in Africa. National Endowment for the Humanities Institute for Teachers, African Studies Center, Michigan State University (June 1996).
Invited Panelist:Imagery and Ideology in Ethiopian Kingship. Tenth Triennial Symposium on African Art, New York City (April 1995).
A Separate Cinema: Early Race Film during the Harlem Renaissance, Monumental Discoveries: An Interdisciplinary Symposium Exploring the Arts. Michigan State University, (March 1994).
Invited Panelist: Three Miniatures from 18th-19th Century Sawa: the Influence of Scroll Painting. The 2nd International Conference on the History of Ethiopian Art. Nieborow, Poland (September 1990).
Invited panelist- Discussion on Race and Representation organized by George Lipsitz, Center for Black Studies Research, University of Santa Barbara, November 4-6, 2015.
“Imaging the Horrible: Ida B. Wells, Photography, & the Lynching at the Curve,1892” The Black Special Relationship: African American Scholarship and its Impact on Black Intellectual Life in Britain, Blackness in Britain 2015, Birmingham City University, 30-31 October 2015.
"From Slavery to Freedom: Blacks and American Print Culture in Nineteenth Century Memphis, panel session At the Intersection of Black Print and Visual Cultures, African American Expression in Print & Digital Culture, Center for the History of Print and Digital Culture, University of Wisconsin-Madison, September 18-21, 2014
Depicting Religion-Spirituality in the Works of African-American Artists, Dixon Gallery & Gardens, November 6, 2013, in connection with traveling exhibition, Ashe to Amen, 2013
Painting the Black Woman as Lynched Victim in Joe Jones' 'American Justice' 1933. Symposium, Hooks Institute for Social Change, University of Memphis, April 18-20, 2012.
Panel Coordinator-Chair, The Black Female Subject in Western Art and Visual Culture, SECAC, Greensboro, North Carolina, October 17-19, 2012
Visualizing African American Culture in the Paintings of South Carolina Artist, Jonathan Greene, Dixon Gallery & Gardens, memphis, Tennessee, August 15, 2012.
Joe Jones; Radical Painter of the American Scene. April 13th, 2011. Dixon Galleries and Gardens, Memphis, TN.
Panelist: John Northcote's Portrait Head of a Negro in the Character of Othello, Painting Race in Early Nineteenth Century British Art. 2007 BARS-NASSR Conference (British Association of Romantic Studies and the North American Society for the Study of Romanticism), Emancipation, Liberation, Freedom, University of Bristol, 26-29 July 2007.
Invited Lecture, Gendering the Male Experience: African American Men and the History of Masculinities. University of Mississippi, Oxford, MS., March 4, 2002.
Workshop, Contemporary Trends in the Historiography of Slave Studies. Malcolm X Academy. Detroit, Michigan, 1993.
Workshop, Teaching African History. Malcolm X Academy. Detroit, Michigan, 1992.
“Race & the Visual Culture of 19th Century Memphis, Ghandi-King Conference, workshop paper on panel entitled Arts: learn how the arts (visual, performing, etc.), fit into conversations and demonstrations of social justice, National Civil Rights Museum, Memphis, TN., April 8-9, 2016.
Panel Coordinator-Chair, Art & Legacy at Historical Black Colleges, SECAC: Southeastern College Art Conference, Greensboro, North Carolina, October 30, November 2, 2013
Conference:Muralist Vertis Hayes and the LeMoyne Federal Art Center: A Legacy of African American Fine Arts in Memphis, Tennessee 1930s-1950s, SECAC, Greensboro, North Carolina, October 30th November 2, 2013
Paper: Race & Gender in Joe Jones' American Justice:' Radical Painter of the American Scene. SECAC, Greensboro, North Carolina, October 17-19, 2012.
Panel Coordinator-Chair, 'The Black Female Subject in Western Art and Popular Culture,' SECAC, Greensboro, North Carolina, October 17-19, 2012
Victorian Women of Color and the Family Photo Album; Documenting Race, Gender, and Interracial Relationships in 19th Century Memphis. African Americans and the Civil War, Association for the Study of African American Life and History, Richmond, VA., October 5-9, 2011.
Race & Representation: Depicting 'New Negro' Manhood in Hooks Brothers Photographs, Memphis, Tennessee, Modern and Contemporary Art Session. SECAC, Birmingham, Alabama (October,2009).
Invited Panelist: Picturing Menelik II, 'King of Kings' of Ethiopia During the Era of Colonial Empire, 'Envisioning the Body Politic.' African Studies Association, Washington, D.C. (November 2005).
The African Woman in the Portrait, Carrie Mae Weem's 'From Here I Saw What Happened and I Cried.' African Studies Association, New Orleans (November 2004).
Conference: Black Women Artists and Representations of Mammy and Aunt Jemima: an Essay in Visual Liberation. Twelfth Triennial Symposium on African Art, St. Thomas (April 2001).
Selling Knowledge: Ebony Magazine and the Popularization of African American History. Comparative Black History Symposium, (Michigan State University, April 17-18, 1998).
Conference: Black Male Identity: Sam Cooke and the Romantic Tradition in Soul Music. Association for the Study of Afro-American Life and History, Philadelphia, Pennsylvania (October 1995).
ACTIVITY | AGENCY/SOURCE | AMOUNT | PERIOD |
---|---|---|---|
Guest Scholar-Curator | Dixon Gallery and Gardens | 18,000.00 | 2019-2025 |
Humanities Tennessee Grant for Ida B.Wells documentary | Benjamin L. Hooks Institute for Social Change | 1500.00 | 2015-2016 |
This Little Light of Mine Photography Workshop | Memphis Brooks Museum of Art | 200.00 | May-2015 |
Invited Lecture | Howard University, Washington, D.C. | 1,000.00 | April-2015 |
African Summer Institute | Ghana Travel Abroad program 2014 | 1500.00 | summer 2014 |
Invited Lecture | LeMoyne Owen Collge, Memphis, TN. | 1,000.00 | November-2014 |
Invited Panelist | National Civil Rights Museum | 400.00 | October-2014 |
Consultant-Renovation Scholars Committe | National Civil Rights Museum | 3,500.00 | 2013-2014 |
University of Memphis | African American Summer Institute | 1200.00 | 2010 |
Consultant-Curator-African Collection | Memphis Brooks Museum of Art | 1,500.00 | 2004 |
Consultant; Photography Archives | Center for Southern folklore | 3,000.00 | 2001 |
ACTIVITY | AGENCY/SOURCE | AMOUNT | PERIOD |
---|---|---|---|
African Summer Institute | University of Memphis | 2,000.00 | Summer 2011 |
African American Summer Institute | University of Memphis | 2,000.00 | Summer 2010 |
Hooks Fellow in Residence at the Benjamin L. Hooks Residence for Social Change | University of Memphis |   | 2004 |
Faculty Research Grant | University of Memphis | 6,000.00 | 2002-2003 |
PROJECT | PARTICIPANTS | PERIOD | SPONSORSHIP |
---|---|---|---|
Lynching Sites Project: Memphis | Board Member |   |   |
Whitehaven Public Art Projects |   | 2019-2020 | Urban Arts |
Docent Training Workshop-Augusta Savage Exhibit | Dixon Galleries and Gardens | january-2020 |   |
STAX Museum Charette | STAX-American Musum of Soul Music | 2019 |   |
Ida B.Wells marker | National Park Service | 2019 |   |
Public Art Oversight Committee | Urban Arts Commission | 2018-2019 |   |
MLK50 Urban Arts Commission |   | 2017-2018 |   |
Nathan Bedford Forrest Revision Marker Project |   | 2017-2018 |   |
Community Lift |   | 2016-2017 | Soulsville Artistry Residence Committee |
March to 19th Task Force Committee | Chick History | 2016-2020 |   |
Association for the Study of African American Life and History Organizing Chapter-Memphis |   | 2014-2015 |   |
Ciivl Rights Photography-This Little Light of Ours Exhibit |   | 2015 | Memphis Brooks Museum of Art |
Memphis Heritage Trails: Advisory Board |   | 2014 | Self-Tucker Architects |
T. O. Fuller State Park: Historical Consultant |   |   | Self-Tucker Architects 2015 |
Orange Mound Community 125th Anniversary Celebration |   | 2014-2015 | ArtsMemphis |
Legacies Sculpture in Chickasaw Heritage Park |   |   | Urban Arts |
Sculpture in Gateway-Southside Park |   | 2014 | Urban Arts |
Mural-Soulsville Neighborhood Project |   | 2012 | Urban Arts |
City Direct Purchase Program of Artworks |   | 2009 | Urban Arts |
Urban Art Commission |   | 2013-current | City of Memphis |
Memphis Heritage Trail Scholars Committee |   | 2013-current | Memphis Heritage Trail Redevelopment Project |
Renovation Steering Committee |   | 2008-2011 | National Civil Rights Museum |
Brooks Community committee |   | 2009-2011 | Memphis Brooks Museumof Art |
Summer Institute:African American History | University of Memphis Faculty | Summer 2010, 2011 | Memphis City Schools and Benjamin Hooks Institute for Social Change |
Panel: Recovering Memphis:Listening to Untold Stories |   | June 31, 2009 | PowerHouse Art Gallery |
Citizens | Park Services. City of Memphis | 2009-2010 |   |
Docent Training African Galleries | Memphis Brooks Museum of Art | Fall 2008 |   |
Lecture and Lunch Series-African American Folk Art | Dixon Galleries and Gardens | August 2008 |   |
Gallery Tours Snap Judgements:New Positions in Contemporary African Photography | Memphis Brooks Museum of Art | April 2008 |   |
King Holiday Weekend Program | National Civil Rights Museum | January 2004 |   |
Invited lecture of African Art | Memphis Brooks Museum of Art | November 2004 |   |
Judge-Annual Student Art Poster Contest. | National Civil Rights Museum | 2004, 2003, 2002 |   |
Docent Training: African Galleries | Memphis Brooks Museum of Art | 2004, 2005 |   |
Black History Month Lecture | National Civil Rights Museum | 2002 |   |
Docent Training: Africa One Continent Many Worlds | Pink Palace Museum |   |   |
UNIVERSITY | COMMITTEE/ACTIVITY | PERIOD |
---|---|---|
University of Memphis | Research-Writing of PhD Proposal in American Art History | 2016-2019 |
University of Memphis | Art History-Museum Studies Coordinator | Current |
University of Memphis | Board Member-Art Museum | 2019-2022 |
University of memphis | Eradicating Racism Initiative-Curriculum Committee | 2020 |
University of memphis | Chair-Dorothy K.Hohenberg Chair of Excellence Committee | 2019-current |
University of Memphis | Undergraduate Advisor-Art History Majors | 2019-2021 |
University of Memphis | Chair-Contemporary Search Committee | 2019-2020 |
University of Memphis | Renaissance Search Committee | 2019-20 |
University of Memphis | Chair-Dorothy K. Hohenberg search committee | 2019-2022 |
University of Memphis | Chair-Renaissance Seach-one year appointment | 2019 |
University of Memphis | PhD in American Art History committee | 2017-present |
University of Memphis |   |   |
University of Memphis | Graduate Coordinator of Art History | 2015-2017 |
University of Memphis | Assistant Chair: Department of Art | 2014-2015 |
University of Memphis | Search Committee: Gallery Director | Summer 2015 |
University of Memphis | Chair: Search Committee-Tenure Track Contemporary Art History Position | Spring semester 2015 |
African Summer Institute/University of Memphis | AAAS,Education Dept., Memphis County Schools | Summer 2014 |
Ghana Travel Abroad Project | African-African American Studies Program and Education Department | 2014 |
National African American Photographic Progect | University Libraries-University of Memphis | 2012-current |
University of Memphis | African American Studies Advisory Committee | Current |
Advisory Board | Hooks Institute for Social Change | 2012-current |
Coordinator | Arts of Africa and the African Diaspora Art History concentration | implemeted Fall 2010 |
University of Memphis | Gallery Committee | 2012-current |
University of Memphis | Adviser: founder of 'Arts Today': new Art History Graduate Student Organization | Fall 2012 |
University of Memphis | Commentator: Graduate Students African American History Conference |   |
University of Memphis | 2nd adviser: Graduate Students African American History | 2011-current |
University of Memphis | Chair: Center of Excellence Committee | 2011-2013 |
University of Memphis | Chair: Photography Search Committee | Spring 2011 |
University of Memphis | Scholarship Committee | current |
University of Memphis | sub-committee Hohenberg Chair | Spring 2010 |
University of Memphis | Area Coordinator for Art History | 2010-2012 |
University of Memphis | Commentator:Graduate Conference in African American History | September 2009 |
University of Memphis | Chair: Scholarship Committee | 2008-2009 |
University of Memphis | Chair of Contemporay Art History Search committee | 2007-2008 |
University of Memphis | Search committee for new Chair / Deparment of Art | 2006-2007 |
University of Memphis | Commentator: Graduate History Conference | 2006 |
University of Memphis | Search Committee-Architectural Historian | 2005 |
University of Memphis | African American Cultural and Arts Festival. Sponsored by the Africa-African American Studies program | Spring 2004 |
University of Memphis | Chair of the Scholarship Committee | 2004 - current |
University of Memphis | Search Committee Interior Design | 2004 |
University of Memphis | Search Committee-Director-Women's Studies Program | 2004 |
University of Memphis | Search Committee-Egyptian Institute of Art & Archaeology | 2003 |
University of Memphis | Search committee African American History | 2003 |
University of Memphis | Commentator:fourth Annual Graduate History Conference | 2001 |
University of Memphis | Academic Enrichment Committee | 2001, 2000, 1999 |
University of Memphis | Commentator: Graduate History Conference | 2000 |
University of Memphis | Hohenberg Search Committee | 1999-2008 |
University of Memphis | Search Committee Contemporary Art History | 1999 |
University of Memphis | Commentator: Annual Graduate History Conference | 1999 |
ORGANIZATION/COMPANY | PERIOD |
Dixon Galleries and GardensGuest Scholar-Curator | 2019-2025 |
Ida B. Wells Documentary. Hooks institute of Social Change, Unversity of Memphis | 2015-2016 |
Memphis Heritage Trails: Advisory Board | 2014-current |
T. O. Fuller State Park: Historical Consultant: Self-Tucker Architects | 2015 |
National Civil Rights Museum Host Committee for Association of African American Museums, memphis August 6-7, 2015 | 2014-2015 |
organizing committee to establish a Memphis chapter of the Association for the Study of African American Life and History | 2014-2015 |
National Civil Rights Museum Renovation Scholars Committee | 2011-2014 |
National African American Photographic Project University of Memphis Libraries | 2010-2012 |
Christine Meisner. German artist. Memphis research travel | March 2011 |
African American Studies Summer Institute Memphis City Schools | 2010, 2011 |
Project Consultant-Re-installation, Arts of Africa. Memphis Brooks Museum of Art | 2003-2004 |
Consultant-African Art Collection. Rust College, Hollis Springs, Mississippi. | Spring 2004 |
Archivist-photograph collection. Center for Southern Folklore | Summer 2001 |